Can Theatre Change Society


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https://www.youtube.com/watch?v=CjW58c2w99E

Can Theater Change The World?

Twenty-one theater artists, all nominated for 2015 Drama Desk Awards, are asked: Can Theater Change The World.

Best Sellers

Bricks & Mortals by Buy.com (dba Rakuten.com Shopping)

We don't just look at buildings: their facades, unequalled or ugly, conceal the spaces we inhabit. We are born, work, love and die in architecture. We buy and sell it, rent it and squat in it, create and counteract it. These aspects of buildings-economic, erotic, political and psychological-are crucial if we are to understand architecture properly. And because architecture molds us just as much as we mold it, view architecture helps us to understand our lives and our world. Through ten great buildings across the world, Tom Wilkinson reveals the strong and intimate relationship between society and architecture and asks: can architecture change our lives for the better? The ten buildings featured in Bricks & Mortals are: The Tower of Babel, Babylon (c. 650 BC), The Special House, Rome (AD 64-68), Djinguereber Mosque, Timbuktu (1327), Palazzo Rucellai, Florence (1450), The Garden of Nonpareil Brightness, Beijing (1709-1860), Festival Theatre, Bayreuth, Germany (1876), Highland Park Car Factory, Detroit (1909-1910), E.1027, Cap Martin (1926-29), Finsbury Fitness Centre, London (1938), Footbridge, Rio de Janeiro, London (2010)

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Upstart Co-Lab: How Artists, Social Entrepreneurs, and Impact Investors Change the World, According to Laura Callanan - Justmeans (blog)

(3BL Media/Justmeans) - In a world that has long relied on business and science to make a better and healthier planet, we see traditional disciplines embracing collaboration with artists to gain new perspectives in solving the world’s problems. Impact investors have been looking for similar opportunities in the creative economy, but there have been none – until now. Laura Callanan is the founding partner of Upstart Co-Lab, a nonprofit connecting artists, industry leaders, and investors to solve social challenges. She is the former senior deputy chairman of the National Endowment for the Arts, where she led all grant-making programs, operations, and research before launching Upstart Co-Lab in 2016. Previously, as a consultant with McKinsey & Company’s... She has served in a leadership capacity for a number of organizations, including her role as senior adviser at the United Nations Development Programme, executive director of the Prospect Hill Foundation, associate director at the Rockefeller... KE: Upstart Co-Lab aligns systems, connects people, and brings creativity and investment together. LC: I have a friend to thank for inspiring me. Jim Houghton was the founding director of Signature Theatre in New York City. Six years ago, at one of our periodic lunches, Jim told me about big plans for a $70 million public-private partnership to build a three-theatre complex for Signature. The tickets for all of the shows would be $25, making theatre accessible to diverse audiences. The theatre would support living playwrights writing original plays about the experience of today. I had been on the Signature Theatre board in the early years, knew how it had started small, knew the importance of its mission, and knew what this growth meant. Suddenly I heard myself say, “Jim, YOU are a social entrepreneur. ” I then babbled on about how nobody called him that because he worked in the arts – and he did not call himself that because he worked in the arts. But that, indeed, he was a social entrepreneur. I started wondering how many other artists were also social entrepreneurs. That was the start of the journey that led to the launch of Upstart Co-Lab in April 2016. By the way, Signature opened its new facility in 2012, and it lives up to all of Jim’s original plans. KE: What is the mission of Upstart Co-Lab. LC: Our mission is to create opportunities for artist-innovators to deliver social impact at scale. We want to increase opportunities for artists as innovators, unleash more capital for creativity, and enable sustainable, creative lives. We work to foster collaboration between artists, impact investors, and social entrepreneurs. KE: Is every artist a social entrepreneur. LC: We believe artists are entrepreneurs and innovators just by the nature of who they are, what they do, and the work they create. When we talk about artists, we include all artistic disciplines – music, dance, painting, and writing – out of a core belief in the value of creativity. Creativity connects tradition with innovation. To craft radical change requires an understanding of context, whether the form is aesthetic or scientific. In that way, artists represent our ability to explore, take risk, and solve problems. Many artists are engaged in a social practice, using different tools and techniques to address climate change and social cohesion, but they are working like other social entrepreneurs. Artists are working in every thematic area, on every social issue you can name: youth development, environmental conservation, community building, sustainable food, and criminal justice. KE: Can you give us some examples of the artist-innovators who have inspired Upstart. LC: Artist and designer Jae Rhim (JR) Lee gave a popular TED Talk titled My Mushroom Burial Suit. What started as an artistic provocation is now a company, Coeio, which offers the Infinity Burial Suit. JR would like to see society become less of a “death-denying culture” and. Source: www.justmeans.com

Latest News

  • Upstart Co-Lab: How Artists, Social Entrepreneurs, and Impact Investors Change the World, According to Laura Callanan

    11/04/16 ,via Justmeans (blog)

    (3BL Media/Justmeans) - In a world that has long relied on business and science to make a better and healthier planet, we see traditional disciplines embracing collaboration with artists to gain new perspectives in solving the world's problems. Impact

  • UGA's showing of “Jane Eyre” speaks volumes about society

    11/01/16 ,via Red and Black

    The actors evaluated history to prepare— as the story was created in a time of tumultuous changes during nineteenth century England, where strict class rules divided society, the industrial revolution changed everyone's way of life and religion

  • Teahouse tackles Chinese history in three acts

    11/02/16 ,via Vancouver Sun

    The past 30 years heralded incredible change in Chinese society once again. Does Teahouse manage to keep up with this seemingly “The thing about drama is, it isn't a movie, you can't remake it to update it, and it is what it is with the players at

Twitter

What does DT have in common with 'Florence Foster Jenkins'? Be All You Can't Be https://t.co/0Mi2yRx02B Delusions of grandeur! #Vote Now! 10/27/16, @skip_conover

Recipes

Books

  • A Formalist Theatre

    University of Pennsylvania Press. 1990. ISBN: 0812213343,9780812213348. 178 pages.

    Michael Kirby presents a penetrating look a theater theory and analysis. His approach is analytically comprehensive and flexible, and nonevaluative. Case studies demonstrate this unique approach and record performances that otherwise would be lost.

  • Towards a Third Theatre

    Routledge. 2003. ISBN: 9781134797554,1134797559. 224 pages.

    Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.

Bing news feed

  • Half Moon Theatre and Hudson Valley Shakespeare Festival to Present THE TEMPEST and THE SWORD IN THE STONE

    11/04/16 ,via Broadway World

    Can an orphan named ... overcome their fears to change their own destinies? Discover the answers in a magical, funny and heart-warming play created just for kids: The Tempest and The Sword in the Stone, presented by Half Moon Theatre on Saturday, November ...

  • Opera in the Gulf: The beacon of change

    11/05/16 ,via Al Arabiya News

    When I went there for the first time, I met an academic friend who once admonished me about an article I wrote eight years ago entitled: “Maybe the light can come from the Gulf ... is the embodiment of the whole society on a stage of visual and ...

  • Pratt: Change just part of world we live in

    Jerrold (1803-1857) was not a farmer, and for sure he was not from West Texas, where constant change and adaptation is the rule if ... He was the son of an English actor, a theater owner who lost his theater in the postwar economic downturn.

Directory

BremertonCommunityTheatre

Bremerton, WA. Schedules, ticket information, volunteer opportunities, and history.

Orange County Theatre Organ Society - Wurlitzer ... - OCTOS

Hot Pipes Podcasts and Broadcasts; OCTOS Shop Notes; Wurlitzer Theatre Organ CD's for Sale; List of Ranks; Los Angeles Theatre Organ Society (LATOS) Events

AxisTheatre.com | Home

SOMEBODY LOVES YOU, MR. HATCH an original Axis Theatre Company adaptation based on the book by Eileen Spinelli.

Banksy in Boston: Portrait from the F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED piece in context on Essex St, Chinatown, Boston
Banksy in Boston: Portrait from the F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED piece in context on Essex St, Chinatown, Boston
Interestingly, both of the Boston area Banksy pieces are on Essex St: • F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston • NO LOITRIN in Central Square, Cambridge. Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well. Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that. But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify: I can only surmise that he's having a 'dig' at Essex...
Photo by Chris Devers on Flickr
2014 - Vancouver - Alaska Cruise -  CBD
2014 - Vancouver - Alaska Cruise - CBD
A view off the Lido deck of the MS Zaandam parked at a Canada Place birth in downtown Vancouver BC. The neat old art deco building framed by the newer erections is the beautiful 1930 Marine Building. THE MARINE BUILDING: From a 2010 Vancouver Sun Article. Seventy-five years ago, the cornerstone was laid for the grandest and most opulent skyscraper Vancouver had ever seen. Built at the onset of the Great Depression, the Marine Building would prove to be a financial bust, driving its original owners broke. But artistically, it was a complete success, arguably the best building ever built in Vancouver, and one of the finest examples of art deco architecture in the world. "The building suggests some great marine rock rising from the sea, clinging with sea flora and fauna, tinted in sea green, flashed with gold, at night a dim silhouette piercing the sea mists," wrote The Vancouver Sun in an opening day supplement on Oct. 7, 1930. Great marine rock or not, the Marine...
Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
Interestingly, both of the Boston area Banksy pieces are on Essex St: • F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston • NO LOITRIN in Central Square, Cambridge. Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well. Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that. But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify: I can only surmise that he's having a 'dig' at Essex...
Photo by Chris Devers on Flickr
The Wicked Stage: Can musicals be used as tools for social change? - A ...
The Wicked Stage: Can musicals be used as tools for social change? - A ...
Forum Theatre | We Can | End all violence against women
Forum Theatre | We Can | End all violence against women
Change Maker Reunion: Making waves in the community | We Can | End all ...
Change Maker Reunion: Making waves in the community | We Can | End all ...

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