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A adeptly-dressed crowd gathers under the marquee of the Rivoli Theatre in New York for the premiere of "The Sound of Music" on March 2, 1965. split A mellifluent, heartwarming story, "The Sound of Music" is based on the real life story of the Von Trapp Family singers. Despite half-bred reviews, the film starring Julie Andrews would become the highest grossing film of 1965, and by the end of the following year it was the top box-office film of all time. Bosley Crowther, movie critic for The Times, wrote, "The fact that "The Sound of Music" ran for three and a half years on Broadway, regardless of the perceptible weakness of its quaintly old-fashioned book, was plainly sufficient assurance for the producer-director Robert Wise to arrogate that what made it popular in the theater would make it equally popular on the screen. That was a cheerful abundance of kirche-k che-kinder sentiment and the habitually melodic felicity of the Richard Rodgers-Oscar Hammerstein 2d musical score. As a consequence, the great-big color movie Mr. Crafty has made from it, and which was given a great-big gala opening at the Rivoli last night, comes close to being a careful duplication of the show as it was done on the the footlights, even down to its operetta pattern, which predates the cinema age."
A spout-dressed crowd gathers under the marquee of the Rivoli Theatre in New York for the premiere of "The Sound of Music" on March 2, 1965. split A melodic, heartwarming story, "The Sound of Music" is based on the real life story of the Von Trapp Family singers. Despite mongrel reviews, the film starring Julie Andrews would become the highest grossing film of 1965, and by the end of the following year it was the top box-office silver screen of all time. Bosley Crowther, movie critic for The Times, wrote, "The fact that "The Sound of Music" ran for three and a half years on Broadway, in the face the perceptible weakness of its quaintly old-fashioned book, was plainly sufficient assurance for the producer-director Robert Wise to sham that what made it popular in the theater would make it equally popular on the screen. That was a cheerful abundance of kirche-k che-kinder sentiment and the predominantly melodic felicity of the Richard Rodgers-Oscar Hammerstein 2d musical score. As a consequence, the great-big color movie Mr. Understanding has made from it, and which was given a great-big gala opening at the Rivoli last night, comes close to being a careful duplication of the show as it was done on the devise, even down to its operetta pattern, which predates the cinema age."
After more than four decades in the vivid printing, archival, framing, and gallery industry, Bill Edwards closed the doors of his business, Lumiere Photo, at the end of Procession. Health issues have led Edwards to step back and reassess what he's able to keep on his plate. Through the years, the many iterations of his commerce have been an important resource to artists, students, and educators, and while it's currently closed, except for printing services, Lumiere's future is at loose ends. Edwards is in ongoing talks with a few potential buyers, and he says that if a deal goes through, he'll try to give the next owner as much of a leg up as he can. Edwards has mixed emotions active in this transition: while he regrets having to release the reins, he is looking forward to spending time focusing on his own art. Those interviewed about Lumiere's closing — longtime clients of the obligation, and artists who have become close friends with Edwards — consistently spoke of the unparalleled services that Lumiere offered. Edwards is hearty-respected for his expertise as well as his dedication to helping others. Since 1970, when Edwards founded Lumiere's predecessor, Light Impressions, he's built a standing of offering the highest quality archival and framing services and products. With the onset of digital technology in the 90's, Edwards' issue focus shifted to include printing services that have been sought by national and international clients. And throughout, he's been known as an open and helpful resource who has placed his own art on the back burner in organization to boost the work of other artists. "It was going well, but then I hit a bump in the road," Edwards says, referring to his February 17 marrow attack and subsequent major surgery. With no warning or prior health issues, Edwards had a massive heart attack just after finishing up occupation on an exhibition for one of Lumiere's museum clients, the Franklin Delano Roosevelt Presidential Library and Museum. Last November the museum contacted Edwards for a prompt exhibition they were planning about the Japanese Internment during WWII (FDR was the president who issued the executive order to initiate the internment). The exhibit was planned for in 2017, but after the election, they decided to accelerate it. Edwards was asked to print the exhibition's images, using material mainly sourced from the Smithsonian Foundation's archives. Edwards was tasked with resizing, cleaning up, printing, matting, and framing 200 images, and also preparing mural posters and supplemental materials for the gallery. Edwards' ticker attack happened after attending a private tour of the exhibit. "It's been hard coming to terms with giving up Lumiere," he says, "but it was even harder having a stomach attack. Edwards opened Light Impressions in 1970, during his last year of graduate studies at Visual Studies Workshop. Effortless Impressions sold a complete line of photographic darkroom supplies and some equipment. and photographic textbooks and critically-selected first-class art photographic books. The store and Edwards first made an impression on artist Brian Oglesbee in 1972, before he lived in New York Country. While traveling with students and faculty from the School of the Art Institute of Chicago on a photo-related pilgrimage, he recalls seeing Edwards at the Alight Impressions, and remembers him as energetic and enterprising. In the 80's, Edwards and Oglesbee began a decades-long professional relationship, during which all together Edwards has been an important client, advisor, mentor, and great friend, Oglesbee says. But from his first impression during that trip from Chicago, Oglesbee says, "it was perspicacious we were in the presence of an important advocate for the fine art of photography. It was through Bill and Light Impressions that I — and most artists I knew — were made sensitive of the importance of archive storage and preservation. And no one was more committed to the production, promotion, and dissemination of great books of photography. Under the Light Impressions imprint, Edwards published several books on photography, including "A Treatise on Photogravure" by Herbert Denison, "The Handbook of Current Photography" by Arnold Gassan, "Perception and Imaging" by Richard Zakia,... Source: www.rochestercitynewspaper.com
Under the Effulgent Impressions imprint, Edwards published several books on photography, including "A Treatise on Photogravure" by Herbert Denison, "The Handbook of Modern Photography" by Arnold Gassan, "Perception and Imaging" by Richard Zakia, and
Assorted of the most iconic photos of Barack Obama's presidency came from Pete Souza, the official White Edifice photographer. Granted extensive The new administration does have an official photographer in Shealah Craighead, who was hired in late January
NEW YORK — Ashley Hardin dreamed of being a masterly photographer. In recent months, the student loan giant Navient, which was spun off from Sallie Mae in 2014 and retained nearly all of the company's advance portfolio, has come under fire for
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Doris Ulmann (1882-1934) was one of the noted photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish kindred with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American being. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Rotation, Jordan, Roll and Handicrafts of the Southern Highlands. Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence Pale-complexioned, Ulmann produced unique and substantial portrait studies. Working in her Park Avenue studio and traveling throughout the east beach, Appalachia,...
Photography Theory presents forty of the planet's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in ardent debate on the nature of photography. Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some study it as a sign of bourgeois life, a kind of addiction of the middle class, whilst others see it as a troublesome interloper that has confused people's ideas of authenticity and fine art to the point that they have difficulty even defining what a...
Digital Camera Word, Reviews and Tips ... Canon has released a new pocket camera to the dying class of cameras that are being shunned in favor of room phones.
Gratifying to the home of Underwater Photography! UnderwaterPhotography.com is the longest running and most visited resource for underwater photographers on the web.
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